Bringing together cultural history, visual studies, and media archaeology, Bruno considers the interrelations of projection, atmosphere, and environment. Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giulian...(展开全部)

How atmospheric media have come to shape urban Japan Ambient Media examines music, video art, film, and literature as tools of atmospheric design in contemporary Japan. Paul Roquet traces the emergence of ambient styles from the environmental music and Erik Satie boom of the 1960s and 1970s to the more recent therapeutic emphasis on healing and relaxation to make a case for por...(展开全部)

柯律格（Craig Clunas，1954— ），当代研究中国物质文明史的重要学者，现任英国牛津大学东方研究院艺术史教授。主要著作有《中国艺术》《雅债》和《明代的图像与视觉性》等。

Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy or ‘kings’ – relatives of the emperors – in Ming dynasty China (1368–1644). Through an investigation of their patronage of architecture, calligraphy, painting and other art forms, and through examination of the contents of their splendid and recently excavated tombs, this ...(展开全部)

柯律格（Craig Clunas，1954— ），当代研究中国物质文明史的重要学者，现任英国牛津大学东方研究院艺术史教授。主要著作有《中国艺术》《雅债》和《明代的图像与视觉性》等。

Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy or ‘kings’ – relatives of the emperors – in Ming dynasty China (1368–1644). Through an investigation of their patronage of architecture, calligraphy, painting and other art forms, and through examination of the contents of their splendid and recently excavated tombs, this ...(展开全部)

Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism - particularly in the work of Duchamp - artists abandoned strict adherence to traditional hierarc...(展开全部)

In Media Ecologies, Matthew Fuller asks what happens when media systems interact. Complex objects such as media systems --understood here as processes, or elements in a composition as much as "things" -- have become informational as much as physical, but without losing any of their fundamental materiality. Fuller looks at this multiplicitous materiality -- how it can be sensed,...(展开全部)

Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becom...(展开全部)

In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger ...(展开全部)